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NEWS > POT SONG ON BREAST CANCER.

RAISING AWARENESS OF BREAST CANCER ISSUES
THROUGH THEATRE AND FOLK SONGS

By Tony Roberto

I recently went to Bangladesh to work on a project for the International Breast Cancer Research Foundation (IBCRF). They are doing a clinical trial in Bangladesh (my wife, Heather, is the project manager for this larger study), and she and the project leader, Dr. Richard Love, were looking for ways to inform and motivate women who are experiencing breast problems to attend a local "breast problem clinic" to get checked out (that's where I come in).

When my wife and I lived in Bangladesh in 2000-2001, we saw a performance from a group called Rupantar. "Rupantar," meaning transformation, is an NGO that raises awareness on different women's and other social issues. It also tries to mobilize men and adolescent girls and boys in this process to create a supportive environment for the women. To communicate with rural people, it uses plays and traditional folk songs.

Even though we didn't speak the language, it was a very powerful performance and left a lasting impression on us both. So, I immediately thought Rupantar might be an excellent way to spread the word about these clinics.

Over the past two years, we worked with Rupantar to develop a theory-based pot ("folk") song specifically designed to encourage women who are experiencing breast problems to visit a local breast problem clinic (and also to encourage men to encourage their wives to visit a local clinic if they notice any problems). The performance was guided by the extended parallel process model, and is being evaluated using a posttest-only control-group design in 20 (hopefully) villages in rural Bangladesh.

The pot song is done, the study and survey have been designed, and I went to Bangladesh earlier this month (June 2009) to help make sure everything was in order before we implemented and evaluated it on a larger scale (i.e., I trained the interviewers, observed the first experimental and control performance -- and the data collection that took place afterwards, and conducted a debrief with the interviewers and Rupantar to address any issues that arose). Below are a few images (and one video) from this experience.

Interviewer Training Here is a photo from the interviewer training. I was working with 14 interviewers (7 female and 7 male). They were a wonderful group of people to work with. However, most of them spoke very little English, so it was also an interesting challenge. Fortunately, I had a couple of great interpreters.
Rupantar banner The Rupantar banner.
Audience The audience for the control performance. I'd say you are seeing about 2/3 of the audience at the time this photo was taken (and even more people showed up as the night went on). The audience for the experimental performance was just as large, but unfortunately we arrived when it was too dark to get any good photos. In all, we estimate that approximately 750 women, men, and children (and at least one goat) attended each performance.
Theory-based pot folk song A still photo of the experimental manipulation, which is a theory-based pot ("folk") song performance created by Rupantar.
Pot Song

Click this link to see a two minute video clip from the breast cancer pot song performance (this video was taken during the middle of the performance). The entire performance is about 20 minutes long.

Elias Fakir Elias Fakir (the gentleman who wrote the pot song) and me in the studio where the background scroll was undergoing a few last minute adjustments.

To learn more: Write to Tony Roberto at anthony.roberto@asu.edu

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